(no subject)
Jan. 14th, 2004 10:47 amBlah. I still feel like having been run over by something, even after having slept almost eleven hours. Probably not enough, after not having slept at all the night before. I knew I was going to regret it, and, wow, did I ever. Biking to work in the morning yesterday, sun shining, I had to convince myself that it was indeed morning rather than afternoon. Had those moments where customers were asking me something and I just couldn't make sense of the words in my head at all. It got a little better after a while, but still... note to self, not to be repeated any time soon.
It took two viewings for me to realise what I found so jarring (though maybe not necessarily in a bad way) about the first four season 2 episodes: with Sheridan someone assumes command who's utterly untouched by the atmosphere that had been built up during season one. Sinclair's growing unease about the Narn/Centauri situation and the developments on earth, his awareness of things changing in major ways. His knowledge that something important and very real is going on with the Minbari that involves him, even if had no clear idea yet what it is.
Now, despite the fact that the Shadows slowly begin to emerge, despite what G'Kar saw out at the Rim and Londo's growing involvement with them, it's on some level not quite as acute, because for the new captain himself this is far from being a prime priority at this point. There's this young, good-looking, charming war-hero breezing in, for whom the post is part career opportunity, part exile and part personal wonderland/playground (funny aliens and all, Minbari ambassador hibernating in a cocoon, haha) and one could safely say that at the beginning he's far from being aware of being aware of the true scope of his task (even such as it was the moment he entered the station, not touching upon future developments). Lacking Sinclair's personal experience and involvement, he doesn't even believe the edited-out version of what the Minbari are willing to tell; it's one of their myths to him...
(no subject)
Jan. 13th, 2004 01:58 amSheridan: What makes you think this is the right place for me?
Delenn: The universe puts us in places where we can learn. They are never easy places, but they are right. Wherever we are is the right place and the right time. The pain that sometimes comes is part of the process of constantly being born.
:: B5: 2.4 A Distant Star ::
Strangely awake at almost 2 am, might stay up... moon, weather change?
B5: the better LotR movie...
Jan. 8th, 2004 11:23 pm[Hm. I promise I'll stop criticising the LotR movies... eventually.]
One thing I read in many critical discussions of the movie is that even if it wasn't perfect, no one would have been able to do it better; or even that some of the ideas and concepts of the books were anachronistic and difficult, if not impossible to convey to a modern audience.
After re-watching only one season of Babylon 5 I beg to differ. It has been done better, in spirit, if not in detail or in exact wording.
I believe the comparison is valid enough; IMO there are sufficient similarities to show that Babylon 5 does indeed use and re-work some of the main themes of LotR; in one of the DVD commentaries JMS mentions how he grew up with the LotR books. This isn’t meant to put down the show in any way, because it’s never a direct rip-off and to re-work such a classic book in such an intelligent and effective way is quite a feat in and of itself. Now of course it is true that JMS and the B5 team were able to build their story and develop their characters over a much longer span of time than the nine hours (give or take) of the three LotR movies, but I don't think this changes much about the basic truth that they simply had a much better grasp of the epic scale of their story and of how to tell it.
For one thing, the B5 creators, despite having technical possibilities on a previously unknown scale (the first fully digitally animated space-fights...) at their disposal, never gave in to the temptation to over-use them. To all appearances they were aware of the fact that a good story is about story telling and characters first and foremost and everything else can only be subservient to that. There simply are no show-off self-indulgent animation scenes on B5 like there are all too frequently on LotR.
The interesting thing is that, judging from various reviews, near everyone’s favourite scene in RotK was Faramir riding out to regain Osgiliath at his father’s command, the quiet ride through the city, the doomed attack; inter-cut with Pippin’s song. No gratuitous animations there, only one arrow fired. This really leads me to believe that a more understated and character-driven movie might have worked and would have been appreciated by audiences.
I'd have liked to have see Arwen make her choice with the same gravity and dignity as Delenn. I'd have liked to see in Aragon what you see in Sinclair, glimpses of what he's going to be, a man realising his fate. Something of Londo's tragedy in Denethor. Some of the essential *otherness* of the Minbari in the elves rather than just wigs & fake pointed ears. I could go on.
Now the last B5 episode, 'Sleeping in Light' - that is Arwen and Aragon’s final parting, space ship or royal tombs of Minas Tirith, it makes no difference - what matters is there: the deep love, the grief, balanced against a life fully lived.
And while B5 is maybe a little more ‘modern’ in its ethical complexity, dealing with the subject of the temptation and corruption of power directly, relinquishing the symbol of the ring, it has all the epic themes of LotR, loyalty, honour, willingness to die for a cause or love, and never, ever seems anachronistic.
IMO it’s more important to capture the spirit of a book or play than to faithfully render all the little details, and once the former is achieved, a lot of liberties can be taken with the latter: it makes for better and more interesting art most of the times, too. I’ve had the good fortune to once see an interpretation of Hamlet that has forever spoiled me for all the more conventional renderings. The director had cut the play up and re-arranged it, merged characters and created new ones while totally abandoning others, but to me it perfectly captured what ‘Hamlet’ was about. ‘Velvet Goldmine’ IMO is much more in the spirit of Oscar Wilde than the conventional and – at least to me - quite boring ‘Wilde’ movie. Babylon 5 is in the spirit of J.R.R.Tolkien in ways that Peter Jackson’s movies never even come close to.
[Bad, bad day. If it weren’t for the fact that I need the job, rent & bills need to be paid... I was never so tempted to simply walk out. Just pack up my things and leave. No particular reason, except that it suddenly seemed unbearable to remain, trapped, my life finished. I didn't, of course. And then I come home, turn on the computer and type endless rambling posts no one’s interested in reading about SF shows & what not, because it's such a relief to give my brain something to do after eight hours of mind numbing stupidity and superficial forced politeness, even if it's only a substitute for the real thing. Ersatzbefriedigung. Gives ‘pathetic’ a whole new range of meaning.]
One thing I read in many critical discussions of the movie is that even if it wasn't perfect, no one would have been able to do it better; or even that some of the ideas and concepts of the books were anachronistic and difficult, if not impossible to convey to a modern audience.
After re-watching only one season of Babylon 5 I beg to differ. It has been done better, in spirit, if not in detail or in exact wording.
I believe the comparison is valid enough; IMO there are sufficient similarities to show that Babylon 5 does indeed use and re-work some of the main themes of LotR; in one of the DVD commentaries JMS mentions how he grew up with the LotR books. This isn’t meant to put down the show in any way, because it’s never a direct rip-off and to re-work such a classic book in such an intelligent and effective way is quite a feat in and of itself. Now of course it is true that JMS and the B5 team were able to build their story and develop their characters over a much longer span of time than the nine hours (give or take) of the three LotR movies, but I don't think this changes much about the basic truth that they simply had a much better grasp of the epic scale of their story and of how to tell it.
For one thing, the B5 creators, despite having technical possibilities on a previously unknown scale (the first fully digitally animated space-fights...) at their disposal, never gave in to the temptation to over-use them. To all appearances they were aware of the fact that a good story is about story telling and characters first and foremost and everything else can only be subservient to that. There simply are no show-off self-indulgent animation scenes on B5 like there are all too frequently on LotR.
The interesting thing is that, judging from various reviews, near everyone’s favourite scene in RotK was Faramir riding out to regain Osgiliath at his father’s command, the quiet ride through the city, the doomed attack; inter-cut with Pippin’s song. No gratuitous animations there, only one arrow fired. This really leads me to believe that a more understated and character-driven movie might have worked and would have been appreciated by audiences.
I'd have liked to have see Arwen make her choice with the same gravity and dignity as Delenn. I'd have liked to see in Aragon what you see in Sinclair, glimpses of what he's going to be, a man realising his fate. Something of Londo's tragedy in Denethor. Some of the essential *otherness* of the Minbari in the elves rather than just wigs & fake pointed ears. I could go on.
Now the last B5 episode, 'Sleeping in Light' - that is Arwen and Aragon’s final parting, space ship or royal tombs of Minas Tirith, it makes no difference - what matters is there: the deep love, the grief, balanced against a life fully lived.
And while B5 is maybe a little more ‘modern’ in its ethical complexity, dealing with the subject of the temptation and corruption of power directly, relinquishing the symbol of the ring, it has all the epic themes of LotR, loyalty, honour, willingness to die for a cause or love, and never, ever seems anachronistic.
IMO it’s more important to capture the spirit of a book or play than to faithfully render all the little details, and once the former is achieved, a lot of liberties can be taken with the latter: it makes for better and more interesting art most of the times, too. I’ve had the good fortune to once see an interpretation of Hamlet that has forever spoiled me for all the more conventional renderings. The director had cut the play up and re-arranged it, merged characters and created new ones while totally abandoning others, but to me it perfectly captured what ‘Hamlet’ was about. ‘Velvet Goldmine’ IMO is much more in the spirit of Oscar Wilde than the conventional and – at least to me - quite boring ‘Wilde’ movie. Babylon 5 is in the spirit of J.R.R.Tolkien in ways that Peter Jackson’s movies never even come close to.
[Bad, bad day. If it weren’t for the fact that I need the job, rent & bills need to be paid... I was never so tempted to simply walk out. Just pack up my things and leave. No particular reason, except that it suddenly seemed unbearable to remain, trapped, my life finished. I didn't, of course. And then I come home, turn on the computer and type endless rambling posts no one’s interested in reading about SF shows & what not, because it's such a relief to give my brain something to do after eight hours of mind numbing stupidity and superficial forced politeness, even if it's only a substitute for the real thing. Ersatzbefriedigung. Gives ‘pathetic’ a whole new range of meaning.]
(no subject)
Jan. 7th, 2004 09:31 pm"There comes a time when you look into the mirror and you realise that what you see is all that you will ever be. Then you accept it. Or, you kill yourself. Or, you stop looking into mirrors."
Londo Mollari; B5 1.22 'Chrysalis'
Sums it up nicely. Personally I've adopted the 'stop looking into mirrors' stance for the time being...
(no subject)
Jan. 7th, 2004 09:01 pmDepressed and emotional all day, it's apparently not a good thing having time to think. So much comes crashing down again...
Was mad enough to drive out to the horse after it’d stopped sowing in the afternoon, and thankfully got back without an accident, though if I were to be totally honest I even rather enjoyed the challenge of driving on snow covered roads... the problem is just that in the city you can never be sure if the idiot next to you isn’t still driving around on summer tyres and will crash into you, no matter how careful you are. Went for a walk with a very frisky horse that clearly enjoyed it, nose ploughing through knee-deep fluffy snow. I like that one path along the crest of the hill that offers an all-round view... black and white landscape with pale orange hints of sunset where the cloud cover had broken. Skidding down a slope, snow in my boots, but it lightened the mood a bit.
I’ve been starting to read Nietzsche’s ‘Also sprach Zarathustra’ again (third or fourth time, I believe) and maybe with the pressure of
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-community.gif)
Why I’m even bringing this up is because one quote kind of relates to what I wrote at the beginning of this post...
Und auch ihr, denen das Leben wilde Arbeit und Unruhe ist: seid ihr nicht sehr müde des Lebens? Seid ihr nicht sehr reif für die Predigt des Todes?
Ihr Alle, denen die wilde Arbeit lieb ist und das Schnelle, Neue, Fremde, - ihr ertragt euch schlecht, euer Fleiss ist Flucht und Wille, sich selber zu vergessen.
Wenn ihr mehr an das Leben glaubtet, würdet ihr weniger euch dem Augenblicke hinwerfen. Aber ihr habt zum Warten nicht Inhalt genug in euch - und selbst zur Faulheit nicht!
(no subject)
Jan. 4th, 2004 01:58 pmA weekend pretty much wasted, though this could be said of the past few free days in general... but then, on some level it was nice, just doing nothing for once, even if, on another level I maybe should be worried that unless forced to, I can so rarely rouse myself to any activity.
What also struck me yesterday watching the news is my recent rather appalling resigned cynical apathy towards politics, local as well as international. I will continue to vote, as a matter of principle, but there’s this lingering sense that it doesn’t make much of a difference anyway. I didn't used to think like that...
[On a somewhat less important, but still irritated note - I'm not a fan of the sport, but as it's impossible to ignore it altogether... I'm well and truly *sick* of seeing the winners of ski jumping events interviewed, every single one of them looking highly anorectic, sunken in cheeks, sharp noses and everyone pretending that nothing's wrong. This can't be healthy; those guys are athletes and they have the BMI of supermodels...]
(no subject)
Jan. 4th, 2004 01:37 amSlowly making my way through the first season Babylon 5 DVDs..
Repeatedly quoted in episodes 18 & 19 (A Voice in the Wilderness 1/2), but really a leitmotif of B5:
Draal: " The third principle of sentient life is the capacity for self-sacrifice - the conscious ability to override evolution and self-preservation for a cause, a friend, a loved one."
Would make for an interesting B5/Andromeda crossover. Not that I'm ever going to write it, but still...

yet more B5...
Jan. 2nd, 2004 02:21 pmI promise I will write about things other than Babylon 5 again, one of these days. No, really.
(no subject)
Jan. 1st, 2004 01:35 amDid what New Year celebrations I felt up to earlier this day, visiting first M. and then U. at work with a mini-bottle of sparkling wine and sweets. Got wet and cold, biking through rain turning to sleet, but it was nice... Let midnight slip by, sipping wine, typing, music through the headphones, trying to drown out the sounds of the fireworks. No deep résumés or resolutions that I’m not going to keep anyway; nor the energy to make up any. But mostly I’m content if I’m not feeling downright suicidal at this time of the year and I think things have been changing for the better recently; I’ve been changing. It should be enough if this continues, I’ll just try to be aware, conscious of the changes...
[Fortune cookies can be eerie. We got them to distribute to the customer; for me it was a first-time thing, they're still not as common here as I gather they are in the US. (Or maybe I’ve been living under a rock.) The first message was totally random, but the second one was very much to the point...Geh’ einmal gründlich in Dich und räume mit den negativen Gefühlen auf.]
(no subject)
Dec. 28th, 2003 08:53 pmI don't know whether it's post-Christmas depression, pre-New Year depression, or just the tension finally unwinding, giving me time to think, that's leaving me feeling so... empty; angry and disgusted with myself. Hating the very thought of having to go to work tomorrow, except for the vague suspicion that in this situation it might even help keeping me balanced. Holed up alone at home I'll just sink deeper and deeper into self-pity.
I was feeling good, the last couple of days, positive, active almost. Why is it apparently impossible for the feeling to last?
I'd really, really like to get drunk, but seeing as there's nothing to get drunk with here... I'll just post about today's B5 episodes instead. Might take the mind of things for a bit.
(no subject)
Dec. 26th, 2003 08:50 pm... to sum up, there's more and better acting to be seen in a couple of good B5 episodes than in the whole of the LotR trilogy. Sad.
Hmm. I'm feeling the need for a Delenn icon now ...
(no subject)
Dec. 25th, 2003 09:14 pmFeeling much better; had a decadent waffles breakfast with my sister after which we & her boyfriend drove over to my parents, and well, fuss & fondue drama and me having one of those rare but heartfelt, thank God I'm single moments.
However, I am now the proud owner of a DVD-R player (for the moment still plugged in at my parents' place, seeing as I still don't have a TV; I plan on getting one when moving to a new apartment this spring) and Babylon 5 seasons 1 and 3 - season 2 I just ordered on amazon, sadly it will take a week or two to ship (WHY?! WHY this long?!). Er. But still... season 1 - Sinclair. Delenn still all Mimbari... Seasons 3, 4 and 5 I remember rather well, I was watching religiously at that point, but from the earlier seasons I have only the most hazy and fragmented memories. The thing with Babylon 4, Kosh, Delenn's transformation, Sinclair leaving... and an initial sense of disorientation, stemming from being used to the squeaky clean Star Trek universe where humanity has evolved into some semi-ideal state where poverty, social conflicts and such don't exist any longer and something like the sleazy lower levels on B5 are unthinkable. (That was before the B5 wannabe DS9, which at least attempted to be a little more realistic.) And the aliens were a lot more, well, alien. Didn't take me long to get hooked, though.
:: squees :: Sometimes it's so easy to make me a happy woman...