solitary_summer: (Default)
I should maybe update again? Finally drove to Salzburg last Thursday, via a very scenic route in both senses of the word, following the Danube until Grein, because you can only take the Westautobahn so many times before getting bored out of your mind, and that was already a gorgeous start to this holiday, sun glittering on the water, the vineyard terraces on the hills that at this time of the year, without the cover of vegetation, gave the whole landscape a somewhat scarred, patched up look...

Friday and Saturday were incredibly beautiful, sunny but hazy, a blue sky behind a veil, distances blurred, all creating a very dreamlike, almost unreal, magical mood. Biked to Salzburg Friday afternoon and took a long walk around the Mönchsberg, the city lovely below, shining in bright pastels against the background of muted browns and light blues. Saturday I drove to Bad Ischl, but ended up just walking around a lot, aimlessly following various footpaths. It makes me feel so uncultured, but I'm really not in the mood for sightseeing or museums these days. I want to either be outside, or read or write. Then drove on to Obertraun, because I wanted to check something out, and walked along the Hallstätter See until the sun disappeared behind the mountains. It was so gorgeous I can't even begin to describe it. I had the camera with me, but no photo would have adequately captured the mood, so I didn't even bother taking it out. Felt surprisingly relaxed and at peace; usually it takes me at least several days to get into this mood.

Sunday was mostly overcast and I stayed indoors, and yesterday the weather changed. Everything is bright and clear now, colours are deeper and warmer already, and it feels more like spring. Still beautiful, but in a different way, and not quite as ethereally magical. Slightly intimidating, for some reason.

What else? I'm spending quite a bit of time beating into shape the Jack/Ianto meta I'm currently writing (I know, I know. I hadn't actually thought it'd be possible to find something new to write on this subject either, but turns out I was wrong. God knows I wasn't planning on this. But it's actually quite good, or at least that's how it felt yesterday when I'd finally transformed the S2 chapter from a formless mess I rather hated, because the main argument is really in S1, into something that made sense and fit logically.)

Still, though. When have I lost the knack of writing meta under 5000 words? I'm at ca. 8300, and the CoE part is only a draft, because I've only just rewatched D1 and D2 yesterday. It's strange... I haven't even cried after the first time, it's not as if I'm falling into a pit of depression for days afterwards, but CoE is still one of these cases where there's always this moment of hesitancy, where I keep putting it off and off, vague thoughts of whether I really want to put myself through this, until I finally give myself a push. Sometimes I wonder if I'd have rewatched it at all if I hadn't wanted to write about it.

Meanwhile, I'm also reading Alex Ross's The Rest is Noise (huge thanks @ [livejournal.com profile] un_crayon_rouge for the tip!) and am enjoying a lot. Most of the more musical theoretical stuff is of course beyond me, since I can only read music only on a very, very basic level, but it's extremely interesting from a historic perspective, and really helps me to slot into place all the names I'm already vaguely familiar with either from work or TM's diaries, giving them context and chronology.


*sigh* It's Tuesday already, almost the middle of the second week of my holiday. First week of March. Why does there always seem to be too little time, especially for the stuff I love doing, that makes me feel like myself?

solitary_summer: (Default)
Updating from Salzburg; I took Fri. off and drove here Thu. evening after work, which was a bit stressful especially as I don't really like driving in the dark, not even on the Autobahn, but totally worth it. The first two days were painfully beautiful, a cloudless blue sky, sunny, warm, snow on the mountains and every shade of brown, gold, yellow and green below; I biked to Golling on Fri. and took a lot of pictures in the Bluntautal (will upload some when I'm home again, since the internet connection here is slower than a hibernating snail). Sat. I drove to Werfen to see the castle, which was picturesque enough, but the guided tour was rather frustrating and I definitely had a 'what am I doing standing in a chilly dungeon looking at torture instruments and listening to a guide - "stay by the group, please" - whose boredom with his text at the end of the tourist season was palpable, when it's gorgeous and warm outside' moment and then got out as soon as possible and went for a walk for a couple of hours.

Yesterday I drove to Hallstatt; it was still warm enough for a t-shirt and light jacket, but cloudy and windy and the leaves were falling fast around me, torn from the trees. I didn't visit anything, because I really wanted to be outside, walking, moving, not stuck in some museum; walked up the Salzberg, and then back to Halstatt via another path, and in the middle of all that found a perfect spot for a lunchbreak (a package of Manerschnitten, how clicheed can you get?) with a great view across the lake. Sometimes it really pays being aimless and curious and following unmarked paths. Then spent an hour or so walking through the town, which is adorably picturesque in the 'who do I have to kill to get a house here' way, although you probably have to fend off the tourists with a stick during the summer months.

I thought finding my way out of the Salzkammergut in the more or less pitch-dark (thank you, sudden lack of daylight saving time) was already hard, but I only took a wrong turn once; Salzburg was the tricky part. I barely can navigate my way through the city in daytime; in the dark it's a nightmare. It took me at least half an hour, a couple of what I assume were illegal turns, taking the bus lane once or twice (again, I think; it's a bit hard to tell when it's dark, there are construction sites, markings are changed and over-painted...) and several panicky moments until I found my way back home.

I actually had plans for today (Königssee), but the weather was overcast, I was tired after three days of activity and depressed because of having to leave again tomorrow, so I aimlessly watched TV, read a bit, did Russian homework, and generally speaking wasted the day because doing anything suddenly didn't seem worth it since it was the last day anyway and that thought was more bearable shut up inside. A room is a room is a room. It really makes me wonder why is it so hard for me to enjoy something; why everything is always overshadowed by the thought that it won't last and will be over again too soon. Why can't I ever be content with what is? Why do I always want more? I've always been like that, even as a child, but it really stuck me that maybe spending six months thinking and writing about death wasn't the most psychologically healthy thing for me to do. (And even worse, does it invalidate what I wrote when it becomes so blatantly obvious that I'm working through my own issues?) I should be taking strength and inspiration from doing things I love doing, but instead doing something that actually matters merely makes the rest of my life harder to stand...


(The one book I read during this brief holiday? Janne Teller's Nichts. I'm really not helping myself here. *sigh*)

solitary_summer: (Default)
Had a lovely week full of sunshine, blue sky, biking around a bit, walks in Hellbrunn and around Salzburg, a bit of photography (*), a zoo visit, two museum visits (neither very satisfactory, because I most definitely wasn't in the right mood for looking at art or learning about Salzburg history; everything from taking photos to reading a book or simply being outside seemed more inviting); reading (**), re-watching Doctor Who (S1 & the beginning of S2; it had taken me half a season to get used to David Tennant, but now going back is a bit weird...) and Brokeback Mountain (***). A lovely trip to the Chiemsee, which was a dream of mist and sunshine, frost on trees and and blue water in the morning, sunshine and hazy snowy mountains on the horizon across more blue water in the afternoon, also a boat trip and barely any tourists at all.


Generally felt very balanced and at peace with myself; this week finally a got a bit itchy and restless and thought perhaps now I'd enjoy going skiing after all, but on the whole I'm glad I didn't. In a way I love it too much, and every time I have to drive home again, which is invariably on a day when the sun is shining from a perfect blue sky and the snow is glistening, I slip right into depression again at the thought of my boring job in my sunless shop with nothing but houses and concrete to look at and all the supposed holiday relaxation was for nothing. Less of a endorphin rush, more quiet and peacefulness, which I think was what I needed.

My mother came over for a night because of the skylight we're supposed to be getting, but in my zen state of mind that was all right, too, even if she does drive me kind of crazy by immediately putting away everything which isn't in its proper place and talking all the time, and mostly about things that to me just don't seem really worth talking about; at least not at such a length... But then, that's what she'd think if she knew, oh, about my TW rambling.

And speaking of which... two episodes to watch now. :)





(*) Although I still lack the right kind of eye, or maybe the right kind of feeling, for this city. I'm starting to like it better and to see the beauty, but it seems impossible to take a photo that has individuality and some sort of personal perspective instead ob bland, boring prettiness, and doesn't already exist in a million tourists' versions...


(**) Yevgeny Zamyatin's We (fascinating, loved it), Halid Ziya Uşaklıgil's Verbotene Lieben (good read, even if not exactly my kind of thing), D.H. Lawrence, Lady Chatterley's Lover (enjoyed the beginning, but ended up disliking it a lot), the better part of Simon Wiesenthal's Recht, nicht Rache and a bit of Clive Barker's Weaveworld (re-read), some of which I might actually write about a bit (i.e., type up what I wrote in my away-from-the-internet paper-journal), if ever all that TW lets me.


(***) I swear that film depresses me more every time I watch it. Perhaps because it's impossible after the first time to see the romance part and not already also know about the tragedy and futility and waste of lives, or maybe this is simply the part that resonates most strongly with me...

solitary_summer: (Default)
Quick summary of, er, since I last updated. (Funny how every time I make a big dramatic post about OMGjournalingblock&self-hatred, updating suddenly becomes easier...)

Around All Saints Day I took a couple of days off for a four days trip to Salzburg, where I took a lot of walks as well as a lot of photographs, and felt, if not exactly happy, at least mostly relaxed and content and a bit more like breathing freely.



a few more pictures )



Also watched S5 finishing my B5 marathon and I cried through the best part Sleeping In Light from the moment Susan gets Sheridan's letter, which must be a new record. One might think I'd have become a bit desensitised by the third or fourth time, but apparently I'm getting even more sentimental in my old age. ::sigh::

Surprisingly enough I found I liked - the telepath[s of the very glossy hair, and does it come with the gene?]-arc aside - S5 best of all, maybe because it's the most grittily realistic. Maybe I've become too old and cynical, or maybe it's the spirit of the time and we've all become harder and more disillusioned, but at times throughout the earlier seasons I caught myself thinking that this would never work out, people are just never that idealistic, self-less and heroic and not the least bit corrupted by the power the wield. (And I guess MJS must have been aware of that potential problem, or he wouldn't have gone to such lengths to establish Sheridan and Delenn's personal integrity, not to mention Sheridan's personal memento mori.)

The character I most identify with is still Garibaldi, Sinclair can be surprisingly, dare I say it, hot on occasion, and somehow Ivanonva doesn't live up to the memories I have from when I watched the show on tv.



reading: Naomi Novik: Empire Of Ivory, Perihan Maǧden: Two Girls, Clive Barker, Mister B. Gone )


Since then, work, procrastinating (as usual), two birthday cakes (cheesecake for B. and M. at work, apple cake for my father), a bit of a lingering cold, more work with books arriving at the last possible moment or later, skipped Spanish class & belly dancing class this week because I was too tired and sick, with a sudden pain in my back/right hip to add to the general miserableness, snow, cold, heat in my apartment not working when I tried to turn it on Saturday (repair guy comes tomorrow), being wrapped in blankets with a hot water bottle as a result, starting to watch the Hornblower DVDs I bought a while back, and while it's a bit like O'Brian light, the boy is ridculously pretty as well as heroic, and it's fairly enjoyable to watch...
solitary_summer: (Default)

torn between an increasing sense of pointlessness of keeping a journal & the nagging feeling of guilt that at this rate i'll never catch up. too many entries half-formed in my head and never enough time or energy to actually write them out. words never seem to fit recently, always akward, out of reach...


Sat:
'Don Giovanni' at Salzburg with the parents, by their invitation, obviously. didn't have the nerve to ask what the ticket actually cost. :: facepalm :: god. i'm feeling so very posh even mentioning this. about as much as i felt underdressed there.

anyway. in retrospect perhaps it was wrong wanting to see this solely upon M. Kusej directing. after all - and maybe i hadn't been sufficiently aware of this - direction is not the most important thing with an opera, or at least not as important as it can be with theatre - the music is; me being not much of an opera person i obviously lack a lot of listening experience to really appreciate the music the way it deserved to be. as far as i can tell, the singers were all very good. acted, too.

the production was sparely elegant, with Kusej's trade mark beautiful, rather static images, emphasising the emotional coldness, the brutality, the meaninglessness of the life DG leads.
about Leporello killing DG in the end - from what i gathered from various articles, the intention was to show that DG was already dead as far as his soul was concerned and Leporello was merely killing him as a kind of mercy. but seeing as this happens right before DG is being dragged to hell this still doesn't make a lot of sense to me (unless of course you're supposed to interpret 'hell' as a psychological process only, a kind of ultimate decline), though i actually did understand it that way at the moment i was seeing it. right then i thought perhaps he believed he might save DG's soul by killing him, though i don't think in reality there's much indication for that.

on the other hand, starting from something my mother said (despite the fact that her idea was derived from a misunderstanding of something she'd read) DG and Leporello might indeed be looked at as two aspects of the same person. after a series of unsuccessful tries at either making him change his behaviour or leaving him, starting from the non voglio più servir at the beginning, in the final crisis unable to save him he is forced to take a decision - kill him or be dragged to hell (or whatever mental and moral decline this is a metaphor for) along with him. i'm no longer sure it makes much sense put this way, but it did make sense in my head at one point.

that it's not Leporello, but DG who sings the first couple of lines might hint at this, and it would fit with what Kusej did with Hamlet a couple of years ago, merging several parts and having them personify the different voices in Hamlet's head.


the revolving stage with its doors and concentric structure - metaphor for the self-centered mind, the guilt (personified by his victims) waiting at the center, unseen or ignored, biding their time until he is forced to ultimately acknowledge them ?

interesting, too, that at the beginning of the 21st century 'DG' has become decidedly moral, presented in a way that isn't supposed to invite the least sympathy for the main character any longer. we see his skillfully employed charm at work in his seductions, but the brutality of his behaviour otherwise makes the sweetness all the more horrific. this is not the rebellion of the individual against social norms, but a libertà empty of meaning and lacking anything to defend itself against; no brave, if ill-advised, defiance of conformity until the end, no tragic hubris that has at least a touch of grandeur, but the necessary end to a meaningless life that revolves around an obsessive and neverending search for distraction from its emptiness. voglio divertirmi.

now this makes the opera very dark indeed, all the lives influenced, almost destroyed by and revolving about this centre of negativity...


pity that seeing it again isn't an option...






Sun:
visited Schloss Hellbrunn while i was there, very pretty. got wet at the trick fountains along with a horde of tourists, which was quite fun, especially in this heat. learned that the sunflower did come from Peru, which, in all honesty i hadn't known. never given it much thought.

my father insisted we all have lunch together, the result being i was sick on the train home and didn't feel too well all evening. :: le sigh :: family...


Tue:
actually managed to go biking for 3 hrs before work - i'm kinda proud of myself.


Wed:
drove the car over to my sister's place and returned by train - crossing the Danube offered an incredible view... the sun was just setting, the sky a very pale blue partly veiled with thin white clouds - somehow its reflection made the river look like it was made of some solid substance rather than water, a broad, light band just lying there, stretching under the bridge, absolutely unmoving. surreal.


also, Buffy finale. plot-wise, i wasn't overly impressed, but imho the show has always been better with the small touches, character building, humour and such, than the big plot arcs. however, i rather liked how it became more and more blatantly feminist towards the end - now one could or course argue that 'Buffy' is inherently feminist, but it never struck me as forcible as in the last couple of episodes when the girls stand up to the guardians of patriarchalic order - the police when they try to beat up Faith, the obsessively misogynist priest Caleb (imo one of the scariest villains in the Buffy-verse), ultimately changing the fundamental rules about there being only one slayer. it could have been horribly cliched, but somehow it wasn't...

plus, i've always had a soft spot for the Spike/Buffy , er, 'relationship' after her, er, resurrection, maybe because for (or because of) all the issues it's fraught with it's remarkably lacking in gender clichés...

sweet, in the end. ah well, enough said, it's almost 4 am & i'm drop dead tired... g* came over earlier & it was actually kind of nice, companionable. friendshipy. but now the caffeine is finally wearing off...

now i only wish some tv station would do a complete rerun, because i only started watching at some point mid-4th season...

Profile

solitary_summer: (Default)
solitary_summer

March 2013

M T W T F S S
    123
45678910
11121314151617
1819202122 2324
25262728293031

Syndicate

RSS Atom

Most Popular Tags

Expand Cut Tags

No cut tags
Page generated Jul. 15th, 2025 12:35 am
Powered by Dreamwidth Studios