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Aug. 7th, 2008 05:23 pm[Trying to clean up & out all my half-written lj entries before leaving for an offline holiday...]
Naomi Novik, Victory of Eagles
I liked both Throne of Jade and Empire of Ivory rather less than the first volume, and I must admit I'd kind of forgotten about Black Powder War and had to check amazon (and it's a special kind of internet generated laziness that makes you go to amazon rather than five steps to your own bookshelf... *facepalm*) for the name of the fith book on the vague suspicion that there had been a fifth book, and don't remember very much about it other than thinking Stephen Maturin wouldn't have thought twice about pulling that trigger, and I doubt would even have let Jack (much less William Laurence) stop him, actually given the opportunity to shoot Napoleon.
Victory of Eagles, though, I really enjoyed and IMO is the best book of the series so far along with His Majesty's Dragon, ( ... )
On a rather different note, what I find refreshing (perhaps an unfair generalisation, but having read Victory of Eagles right after Lynn Flewelling's latest novel it really stands out) is that for an author who comes out of, and still is involved with, fandom, specifically the slash corner of it, her writing is almost completely free of fandom tropes of any kind. If there's any 'ship' dynamic at all, it was, especially in the first book, in a clever twist of things between Laurence and Temeraire, which I suspect can't be entirely coincidental with Temeraire taking Stephen Maturin's part as the outside observer who criticises the practices and absurdities of military hierarchy and human society, the advocate of democracy. Not to mention the tendril-stroking thing. *g*
Which brings me to another point... I've been wondering for a while, but most recently apropos Shadows Return, which sacrificed the comparative complexity of the earlier volumes' political plots to become one long, self-indulgent and almost entirely relationship driven hurt/comfort slave!fic that just barely skirts mpreg, with only token appearances by the minor characters (who hadn't been so minor before, either), whether it was fandom that made me look at fiction in terms of tropes and kinks, or whether the close interaction between fandom and professional authors that the internet offers makes authors more likely to... It doesn't even have to be conscious pandering to the audience, but does being so familiar with fandom and knowing exactly what will get you readers (and it's commonplace that at least in fandom even mediocre slash will get a writer more comments and publicity especially when it's the right pairing than good gen) - consciously or subconciously - influence a writer's decisions?
( ... )
Naomi Novik, Victory of Eagles
I liked both Throne of Jade and Empire of Ivory rather less than the first volume, and I must admit I'd kind of forgotten about Black Powder War and had to check amazon (and it's a special kind of internet generated laziness that makes you go to amazon rather than five steps to your own bookshelf... *facepalm*) for the name of the fith book on the vague suspicion that there had been a fifth book, and don't remember very much about it other than thinking Stephen Maturin wouldn't have thought twice about pulling that trigger, and I doubt would even have let Jack (much less William Laurence) stop him, actually given the opportunity to shoot Napoleon.
Victory of Eagles, though, I really enjoyed and IMO is the best book of the series so far along with His Majesty's Dragon, ( ... )
On a rather different note, what I find refreshing (perhaps an unfair generalisation, but having read Victory of Eagles right after Lynn Flewelling's latest novel it really stands out) is that for an author who comes out of, and still is involved with, fandom, specifically the slash corner of it, her writing is almost completely free of fandom tropes of any kind. If there's any 'ship' dynamic at all, it was, especially in the first book, in a clever twist of things between Laurence and Temeraire, which I suspect can't be entirely coincidental with Temeraire taking Stephen Maturin's part as the outside observer who criticises the practices and absurdities of military hierarchy and human society, the advocate of democracy. Not to mention the tendril-stroking thing. *g*
Which brings me to another point... I've been wondering for a while, but most recently apropos Shadows Return, which sacrificed the comparative complexity of the earlier volumes' political plots to become one long, self-indulgent and almost entirely relationship driven hurt/comfort slave!fic that just barely skirts mpreg, with only token appearances by the minor characters (who hadn't been so minor before, either), whether it was fandom that made me look at fiction in terms of tropes and kinks, or whether the close interaction between fandom and professional authors that the internet offers makes authors more likely to... It doesn't even have to be conscious pandering to the audience, but does being so familiar with fandom and knowing exactly what will get you readers (and it's commonplace that at least in fandom even mediocre slash will get a writer more comments and publicity especially when it's the right pairing than good gen) - consciously or subconciously - influence a writer's decisions?
( ... )
